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Sem Reyna Cross III
France Version française
Photos by Arnaud Saudax text by Sylvain Halgand. Last update 2022-05-26 par Sylvain Halgand.

Manufactured or assembled in France from 1944 to (After) 1944.
Index of rarity in France: Infrequent (among non-specialized garage sales)
Inventory number: 12948

See the complete technical specifications

Chronology of cameras Sem 

Around 1940, Cornu requested Aluvac to cast the bodies and backs of a small 24 x 36 camera in aluminum. These parts were marked as Aluvac 3439 and Aluvac 3440. These components were used for about two decades by two companies to produce numerous popular camera models.

The Société des Établissements Modernes de Mécanique Générale et de Décolletage Jean Cros was established in Saint-Étienne just before 1939 with state funding to support the war effort. Jean Cros had Aluvac mold rocket fins for him.
After the defeat, Jean Cros, forced to refocus his activities in the civilian sector, considered entering the camera manufacturing business. He reconnected with Paul Royet, who had been a "special assignment" employee in his factory until his demobilization, to offer him the position of Director of the photographic section, where everything had to be created from scratch.
In 1941, Jean Cros, the director of SEMM, obtained a license from Cornu to manufacture a camera in Saint-Étienne using these parts. Paul Royet, the future director of SEM, successfully carried out this project

The Reyna Cross III follows the Reyna Cross II by abandoning the telescopic lens mount in favor of a rigid mount, simplifying construction and avoiding some issues during shooting.
However, while Cornu remained an artisanal enterprise, SEM became more industrialized. It's estimated that SEM used 95% of the camera bodies produced, evolving the body according to its needs, while Cornu adapted according to its preferences.
Initially, the Flor Berthiot 3.5 50mm lens remained in the catalog, but soon the Anastigmat Cross 2.9 45mm lens would become exclusive. This lens was supplied by Berthiot and Angénieux.
In each of these models, you'll find numerous variations due to pre-industrialization and the supply challenges of the post-war period.

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Not yet translated into English

Cet exempalire n'est pas gravé, et il est recouvert d'une peinture craquelée de couleur verdâtre. La réticulation de cette peinture est un mystère. S'agit-il d'un effet délibéré ou bien de la conséquence d'un problème de traitement ?
La fermeture du dos est interne.
Ouverture d'objectif et plaque de profondeur de champ correspondent bien.

Le presse-film est piqueté.
Cet appareil a sa chambre de la cartouche approfondie dès la fonderie.

Sem Reyna Cross III



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